Word of mouth can be a powerful tool (Crying ‘rape’ being a prime example) and it used to be the backbone of the alternative music community if you will…long before the days of the internet, you’ve heard of how rock and metal fans would have to swap mix tapes and records etc. to keep up to date with what was happening in music, relying on your good friend or source to learn who was up and coming, who was the next big thing, who just dropped a sick EP…well those days may seem like a distant memory, but word of mouth can still introduce you to some wonderful people. Take today’s band for instance; SECOND SELF.
The Cheltenham based 4-piece (Consisting of vocalist Simon Bond, guitarist Janek Davies, bassist Barny Barnfield and drummer Pablo Rodriguez) got in touch with me personally after mutual friend and 50 BELOW PROMOTIONS booker Robert Tite (He puts on some sweet gigs and I wholeheartedly encourage you to go check them out) suggested me, as they were looking for reviews. They’re preparing to release their debut self-titled EP and have kindly asked me to give it a listen…full of second self-worth or should they have second-guessed my handling of it all? Let’s find out…
The EP opens up with “Never Coming Home” and it combines a certain nostalgic, classic hard-rock approach with underlying funk-inspired qualities…it’s all about the simple groove here as the bass carries this track forward, coupled with Bond’s emotive vocal display…this sounds like they’ve taken parts of INCUBUS and merged them with the likes of IN SEARCH OF SUN for a truly bluesy opener; it’s a decent start. “Stepping Stones” goes for a similar approach in ways but it does utilise more consistent guitar melody, so while keeping in theme with the track previous we also get throwbacks to artists such as IDLEWILD from that early 2000’s post-indie scene; clean vocals and hooks but not afraid to throw a riff down where needed.
The opening to “Falling Backwards” has a more subdued feel with the relaxed drum-fill and the bubbly guitar tone, before it delves into this, angst-ridden blend of early emo and post-hardcore…a bold vocal display coupled with some passionate instrumentation allows for an enjoyable, emotional jaunt, before closing track “Eat Your Horse” goes all Tesco ready meal on your ass. Arguably the weakest track on offer, it’s here you notice most that it’s the band’s debut recording and production isn’t 100%, there are a few rough patches which will naturally improve with time but here you can feel the scruffy, demo-quality if you will…ultimately however for a first offering you can clearly hear that there’s promise here from the quartet. With just a bit of polishing you potentially have a solid blues-based hard rock unit in Second Self as instrumentally they’re on the right path, and the vocals will only improve with confidence and experience, once they’ve found their groove by the next record fingers crossed. Second Self? Maybe a case of first the worst, second the best as they say… [5]
The Cheltenham based 4-piece (Consisting of vocalist Simon Bond, guitarist Janek Davies, bassist Barny Barnfield and drummer Pablo Rodriguez) got in touch with me personally after mutual friend and 50 BELOW PROMOTIONS booker Robert Tite (He puts on some sweet gigs and I wholeheartedly encourage you to go check them out) suggested me, as they were looking for reviews. They’re preparing to release their debut self-titled EP and have kindly asked me to give it a listen…full of second self-worth or should they have second-guessed my handling of it all? Let’s find out…
The EP opens up with “Never Coming Home” and it combines a certain nostalgic, classic hard-rock approach with underlying funk-inspired qualities…it’s all about the simple groove here as the bass carries this track forward, coupled with Bond’s emotive vocal display…this sounds like they’ve taken parts of INCUBUS and merged them with the likes of IN SEARCH OF SUN for a truly bluesy opener; it’s a decent start. “Stepping Stones” goes for a similar approach in ways but it does utilise more consistent guitar melody, so while keeping in theme with the track previous we also get throwbacks to artists such as IDLEWILD from that early 2000’s post-indie scene; clean vocals and hooks but not afraid to throw a riff down where needed.
The opening to “Falling Backwards” has a more subdued feel with the relaxed drum-fill and the bubbly guitar tone, before it delves into this, angst-ridden blend of early emo and post-hardcore…a bold vocal display coupled with some passionate instrumentation allows for an enjoyable, emotional jaunt, before closing track “Eat Your Horse” goes all Tesco ready meal on your ass. Arguably the weakest track on offer, it’s here you notice most that it’s the band’s debut recording and production isn’t 100%, there are a few rough patches which will naturally improve with time but here you can feel the scruffy, demo-quality if you will…ultimately however for a first offering you can clearly hear that there’s promise here from the quartet. With just a bit of polishing you potentially have a solid blues-based hard rock unit in Second Self as instrumentally they’re on the right path, and the vocals will only improve with confidence and experience, once they’ve found their groove by the next record fingers crossed. Second Self? Maybe a case of first the worst, second the best as they say… [5]
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