Outside of the squared circle, wrestlers are very rarely (if ever at all) taken seriously…obviously I mean by people who, don’t particularly care about wrestling in the first place that is…sure there are anomalies, Rock “The Dwayne” Johnson has become a global movie star all credit to him…John Cena is trying too but nobody can see him doing it and Hulk Hogan? The Hulkster is a living legend there’s no two ways about it brother! Say your prayers eat your vitamins and believe in yourself and you too, could land yourself winning millions of dollars in a court case over a sex tape…but I digress…what about music? Chris Jericho has been gradually winning people over with his rock band FOZZY…John Cena, again, remember that rap album? Enough said…and then there’s JEFF HARDY. Hardy is one of the most loved and decorated tag team wrestlers the industry has ever seen alongside his brother Matt, he’s won numerous singles titles too in both WWE and TNA (Or whatever the hell it’s called these days)…but…did you also know that he front’s a band too? Let me introduce you to PEROXWHY?GEN…no that’s not a typo, that’s actually the band’s name (Pronounced Peroxygen) Hardy and co have released several EP’s and albums over the past couple of years and this year they dropped “Precession Of The Equinoxes”…let’s see how far we can get before we tap out…
We open up with “Sphere On Earth” and it’s an interesting one to say the least…it’s a weird, spoken word track, almost a monologue in ways…he speaks of his mother with a poetic adoration and it’s all an ode to her in her passing, this family role model, loved and respected and while quaint, it goes full-on track length at 3:00…it’s really quite artsy instead of being a brief intro and while creative it doesn’t really benefit as being an opening track…an odd inclusion this. The first proper track, “Revived” gets the album going more adequately with a mixture of rock, indie and emo qualities, tapping into that general genre-bracket…imagine bands like AMERICAN HI-FI and that ilk…clean vocals, melodic but raw…it’s got substance this…there are moments where the vocals can come across a touch flat but there’s enough here to carry it forward, this is more enjoyable start. We change gears again though as immediately we follow up with “Occasion” and while we stick with certain, soft-emo tones we’re given a far more delicate track. Heavy on piano and strings, leading into acoustics it’s got an almost semi-country feel and in ways develops into something fans of SMASHING PUMPKINS could appreciate.
At 2:44, “Otherwise” is the shortest track on offer here and while it’s a little disjointed in places, we’re treated to some decent throwback, early 2000’s alternative rock, this could have easily of come out of the nu-metal era listening to this chorus, balancing on a fine line between nostalgic and dated…”Unforgiveable” then retouches certain ballad aspects but here it’s clear Hardy doesn’t have the vocal capability to properly do this justice, he lacks a softness; a sweetness at times which would have taken this track to the next level, before we finish up on another diverse trio of tracks. “Emotionless” has more of that throwback nu-metal influence with its crossover rap metal vibe, “September Day” utilises slow, gritty electronica; coming across as spacey before we close on “Catastrophic” and it’s a weird mixture of trippy spoken word and poor rap…leaving the listener with more of a sense of “Why?” as opposed to “Wow!”. Overall…while I can sit here and applaud Hardy for all the entertainment he’s provided me over the years in ladder matches, musically he doesn’t quite grab my attention so easily, there are genuine moments here that offer a great deal of promise as some of the rockier tracks have potential, and credit to him he's not afraid to experiment, but he needs to iron out a couple of things. One things for sure, it’s not as bad as THAT match with Sting at Victory Road 2011….[4]
We open up with “Sphere On Earth” and it’s an interesting one to say the least…it’s a weird, spoken word track, almost a monologue in ways…he speaks of his mother with a poetic adoration and it’s all an ode to her in her passing, this family role model, loved and respected and while quaint, it goes full-on track length at 3:00…it’s really quite artsy instead of being a brief intro and while creative it doesn’t really benefit as being an opening track…an odd inclusion this. The first proper track, “Revived” gets the album going more adequately with a mixture of rock, indie and emo qualities, tapping into that general genre-bracket…imagine bands like AMERICAN HI-FI and that ilk…clean vocals, melodic but raw…it’s got substance this…there are moments where the vocals can come across a touch flat but there’s enough here to carry it forward, this is more enjoyable start. We change gears again though as immediately we follow up with “Occasion” and while we stick with certain, soft-emo tones we’re given a far more delicate track. Heavy on piano and strings, leading into acoustics it’s got an almost semi-country feel and in ways develops into something fans of SMASHING PUMPKINS could appreciate.
At 2:44, “Otherwise” is the shortest track on offer here and while it’s a little disjointed in places, we’re treated to some decent throwback, early 2000’s alternative rock, this could have easily of come out of the nu-metal era listening to this chorus, balancing on a fine line between nostalgic and dated…”Unforgiveable” then retouches certain ballad aspects but here it’s clear Hardy doesn’t have the vocal capability to properly do this justice, he lacks a softness; a sweetness at times which would have taken this track to the next level, before we finish up on another diverse trio of tracks. “Emotionless” has more of that throwback nu-metal influence with its crossover rap metal vibe, “September Day” utilises slow, gritty electronica; coming across as spacey before we close on “Catastrophic” and it’s a weird mixture of trippy spoken word and poor rap…leaving the listener with more of a sense of “Why?” as opposed to “Wow!”. Overall…while I can sit here and applaud Hardy for all the entertainment he’s provided me over the years in ladder matches, musically he doesn’t quite grab my attention so easily, there are genuine moments here that offer a great deal of promise as some of the rockier tracks have potential, and credit to him he's not afraid to experiment, but he needs to iron out a couple of things. One things for sure, it’s not as bad as THAT match with Sting at Victory Road 2011….[4]
RSS Feed