The shark; the ultimate predator…having existed for around 400 million years, essentially predating spines, they’ve lived through multiple mass-extinction level events and have evolved into the perfect killing machine. They properly put the shits up some people (Jaws didn’t help) but to be perfectly honest, sharks get a bad rap most of the time…did you know you are 1000x more likely to die while riding a bicycle? And did you also know you are 75x more likely to be killed by lightning? So with that in mind…let’s see where today’s band, HARBOUR SHARKS, find themselves on the musical food chain. Formed in Kingston, London in 2015, the hardcore pop-punks (Consisting of vocalist/bassist Jack Morris, guitarist Rob Rees and drummer Richard Hemley) have steadily been finding their fins with live shows up and down the country following the release of their first single “Alive To Survive”…but on October 27th they are taking the plunge with their debut full length album; “A History Of Violence”…let’s tuck in.
The album opens up with “False Flags” and there’s no messing around here, hitting very serious topics from the word go. Inspired by the current state of the world and the on-going conflict between terrorists and the west, it’s message is simply that we need to be sensible and open minded, we can’t rely on the media…for most governments are solely interested in profits and they will use newspapers and such to their advantage; scare mongering and propaganda, we need to be wise to this as we are expendable…set over some meaty riffs, it’s up-tempo and frustrated, it’s a solid opener. “The Killer Inside Me” again utilises a chugging, breakdown approach to this blend of soft metalcore, capped off with a decent melodic chorus, the clean vocals balancing the track well, add to that a slick guitar solo and it’s another enjoyable track overall.
Album highlight “It’s Not Working Out” is considerably lighter with more emphasis on the pop qualities regarding the core sound of the track, there are still riffs and light breakdowns but there’s far more harmony within this melodic little anti-love song…this one reminds me of AMBERLINE with it’s easy-core approach, while “Swing Away Merrill” has an up-tempo BLINK 182 inspired feel, Jack channelling his inner Mark Hoppus, while “Burn Down London” has an almost NEW FOUND GLORY inspired sound, before closing track and further highlight “Abandon All Hope” rounds things off on another serious note. With subtle doom elements, it’s a far slower, morose offering and it really sets itself apart from the rest of the album, and though it does pick up at the end, it’s dramatic and emotional and ends the album strongly. On a random note…”Vulva” is a wonderfully quirky minute-long mid-album punk rock snippet with sole intention of calling the government a bunch of cunts…brilliant. All in all, Harbour Sharks have delivered a decent debut here, there are some elements such as breakdowns which feel dated already because they became the in-thing and are now overdone, but ultimately there’s enough here to keep the listener going, plus the encouraging thought of how these songs play out on stage. They aren’t quite Great White’s but, they’ve still got plenty of bite. [6]
The album opens up with “False Flags” and there’s no messing around here, hitting very serious topics from the word go. Inspired by the current state of the world and the on-going conflict between terrorists and the west, it’s message is simply that we need to be sensible and open minded, we can’t rely on the media…for most governments are solely interested in profits and they will use newspapers and such to their advantage; scare mongering and propaganda, we need to be wise to this as we are expendable…set over some meaty riffs, it’s up-tempo and frustrated, it’s a solid opener. “The Killer Inside Me” again utilises a chugging, breakdown approach to this blend of soft metalcore, capped off with a decent melodic chorus, the clean vocals balancing the track well, add to that a slick guitar solo and it’s another enjoyable track overall.
Album highlight “It’s Not Working Out” is considerably lighter with more emphasis on the pop qualities regarding the core sound of the track, there are still riffs and light breakdowns but there’s far more harmony within this melodic little anti-love song…this one reminds me of AMBERLINE with it’s easy-core approach, while “Swing Away Merrill” has an up-tempo BLINK 182 inspired feel, Jack channelling his inner Mark Hoppus, while “Burn Down London” has an almost NEW FOUND GLORY inspired sound, before closing track and further highlight “Abandon All Hope” rounds things off on another serious note. With subtle doom elements, it’s a far slower, morose offering and it really sets itself apart from the rest of the album, and though it does pick up at the end, it’s dramatic and emotional and ends the album strongly. On a random note…”Vulva” is a wonderfully quirky minute-long mid-album punk rock snippet with sole intention of calling the government a bunch of cunts…brilliant. All in all, Harbour Sharks have delivered a decent debut here, there are some elements such as breakdowns which feel dated already because they became the in-thing and are now overdone, but ultimately there’s enough here to keep the listener going, plus the encouraging thought of how these songs play out on stage. They aren’t quite Great White’s but, they’ve still got plenty of bite. [6]
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