Anniversaries…usually happy times shared by couples as they grow old together, celebrating their love and commitment to one another…sometimes they can be nostalgic or, historic; marking so-many years since an incident or an event…though other times they can be painful; tainted with sad memories and tearful reminders, and I’m afraid in this instance we’re referring to the latter. Yes it’s nearly been a year now since Ville Valo and HIM went out with a bang and a whimper on their, admittedly rushed, 2017 farewell tour… a whole year of knowing that the Heartagram had beaten for the last time, buried alive by its own love, and it’s a truly sad fact. However…even the most melancholic gothic-laced grey clouds have silver linings, and in this instance, after a metaphorical mass funeral of hearts, in HIM’s absence we’ve got some new projects from our favourite Finn’s! Let me introduce you to FLAT EARTH…
A Finnish super-group of sorts…HIM’s six-string maestro Linde Lindstrom and former drummer Gas Lipstick make up 50% of the band, while it’s completed by former AMORPHIS bassist Niclas Etelavuori and POLANSKI vocalist Anthony Pikkarainen, and together, over the past several months they have stripped everything back, wiped the slate clean and written a no-nonsense, no frills, no gimmicks hard rock album by the name of “None For One”. The question is, is their musical prowess better than their apparent grasp of basic geology? Let’s find out…
We open up with “Subhuman” and ironically, it’s what you’d suggest someone who DOES believe that the Earth is flat would be in terms of mental capacity…slightly sluggish in tone for the most part, it comprises of slower riffs and percussion, combining a classic rock tone with just a touch of blues metal, although there’s an incredibly subtle middle-eastern feel to some of the more melodic guitar notes. Pretty straightforward stuff but it’s a fine start nevertheless. “Blame” follows up and here we find Anthony leading the musical direction more with a primarily 90’s grunge-inspired piece, backed with Linde’s distinctive string-work…the solo here is classic Linde, his fret-work is on point and you remember here how underrated a guitarist he really is.
This combination of styles is, for the most part the very foundation of this album as a whole…the back-to-basics, guitar heavy instrumentation being the very backbone of their sound while vocally we hark back to a simpler time; clean but with a certain raw emotion and in ways, at numerous points throughout this record you get a sense of ALICE IN CHAINS meets THE SMASHING PUMPKINS, really embracing those 90’s characteristics. The title track is a wonderful example, highlighting the above point really quite well…”Noble Swine” has some intense percussion and oh how we’ve missed Gas behind a drum kit, he can really drive a track and here he does just that…also baring a light resemblance to Linde’s other work with DANIEL LIONEYE in tone, before album highlight “Limelight” carries you away with a genuinely catchy little harmonic chorus and a simplistic groove. The rest of the album is generally run of the mill hard rock but as I said, that’s the aesthetic they’ve gone for; nothing fancy or over the top…just some good honest rock, which is fine. Admittedly it CAN feel a little lethargic at times, and if anything is to blame for that it IS Anthony’s vocals…maybe it’s just because I’m not too used to them and, to some extent can’t quite yet fully separate this from HIM, but he’s no Ville Valo. I know that’s the point to a degree, but this album DOES lack in belters and could do with a shot of adrenaline really. He’s got the emotion, but lacks in power. Overall the Earth here isn’t entirely flat, but it’s only just slightly concaved…they need a little more depth next time around. [5]
A Finnish super-group of sorts…HIM’s six-string maestro Linde Lindstrom and former drummer Gas Lipstick make up 50% of the band, while it’s completed by former AMORPHIS bassist Niclas Etelavuori and POLANSKI vocalist Anthony Pikkarainen, and together, over the past several months they have stripped everything back, wiped the slate clean and written a no-nonsense, no frills, no gimmicks hard rock album by the name of “None For One”. The question is, is their musical prowess better than their apparent grasp of basic geology? Let’s find out…
We open up with “Subhuman” and ironically, it’s what you’d suggest someone who DOES believe that the Earth is flat would be in terms of mental capacity…slightly sluggish in tone for the most part, it comprises of slower riffs and percussion, combining a classic rock tone with just a touch of blues metal, although there’s an incredibly subtle middle-eastern feel to some of the more melodic guitar notes. Pretty straightforward stuff but it’s a fine start nevertheless. “Blame” follows up and here we find Anthony leading the musical direction more with a primarily 90’s grunge-inspired piece, backed with Linde’s distinctive string-work…the solo here is classic Linde, his fret-work is on point and you remember here how underrated a guitarist he really is.
This combination of styles is, for the most part the very foundation of this album as a whole…the back-to-basics, guitar heavy instrumentation being the very backbone of their sound while vocally we hark back to a simpler time; clean but with a certain raw emotion and in ways, at numerous points throughout this record you get a sense of ALICE IN CHAINS meets THE SMASHING PUMPKINS, really embracing those 90’s characteristics. The title track is a wonderful example, highlighting the above point really quite well…”Noble Swine” has some intense percussion and oh how we’ve missed Gas behind a drum kit, he can really drive a track and here he does just that…also baring a light resemblance to Linde’s other work with DANIEL LIONEYE in tone, before album highlight “Limelight” carries you away with a genuinely catchy little harmonic chorus and a simplistic groove. The rest of the album is generally run of the mill hard rock but as I said, that’s the aesthetic they’ve gone for; nothing fancy or over the top…just some good honest rock, which is fine. Admittedly it CAN feel a little lethargic at times, and if anything is to blame for that it IS Anthony’s vocals…maybe it’s just because I’m not too used to them and, to some extent can’t quite yet fully separate this from HIM, but he’s no Ville Valo. I know that’s the point to a degree, but this album DOES lack in belters and could do with a shot of adrenaline really. He’s got the emotion, but lacks in power. Overall the Earth here isn’t entirely flat, but it’s only just slightly concaved…they need a little more depth next time around. [5]
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