Back in 1999, in the city of Wilkes-Barre, Pennsylvania, a young man by the name of Benjamin Burnley would lay the foundations for what would become one of America’s most popular alternative rock bands; BREAKING BENJAMIN. As the sole remaining original/founding member, Ben has overseen virtually all of the song-writing and composition amidst a series of line-up changes (And lawsuits) but has seen the band attain multi-platinum status in the States with a string of successful albums…however…due to a serious case of aviophobia, as well as hypochondria, it wasn’t until 2016 that Ben and the rest of the current band finally left the comfort of their home country to play their first shows overseas. 2018 sees them return with album number six; “Ember”…have they found new inspirations on their international travels? Let’s find out…
The album opens up with a brief intro piece called “Lyra” and it’s a delicate sounding, sombre piano-led instrumental; based in Greek mythology it represents the Lyre Of Orpheus and is said to produce music so charming that it could affect inanimate objects, and conceptually here that works for this 30 second piece of music, but as we lead into first track proper “Feed The Wolf”, all of that charm goes out the window. We’re met with a thick wall of chugging riffs as Ben delivers his duel vocal onslaught; fleeting between deathly growls and harmonic melodies as he sings of fighting temptation, and giving into the urge of man’s animalistic nature and it’s emotive despite its lag. The albums lead single “Red Cold River” follows up next and really speaking we have more of the same…the combination of his smooth, clean vocals with his intimidating metal growls showcase Ben’s admittedly impressive range, but structurally the track is quite generic and honestly quite bland, despite the ferocity of that pre-chorus…
The album isn’t without it’s highlights however…”Blood” utilises solid groove and rhythm over some well delivered hooks that make up the chorus, using Ben’s growls sparingly and it’s a lot more effective here; it’s balanced incredibly well and allows the chorus to have that much more impact and intensity, and the track stands out all the more for it, while “The Dark Of You” takes a different approach altogether, opting for a chilling power-ballad of sorts, the change of tone no less emotive but it does provide an extra level of depth and variety…though that there is the albums primary flaw; variety…or, lack thereof. Yes, as I’ve previously stated Benjamin’s vocals ARE impressive as he’s able to sing and snarl with the best of them, but here the writing behind it is far too monotonous or two-dimensional. While there are peaks and troughs of specific talking points scattered throughout the 12 tracks on offer, the idea of repeat listens is more than a touch laborious, with the album as a whole coming off as disappointingly boring and repetitive in places. Ember is quite fitting as a title really, for on this evidence, the fire’s gone out and we’re left with just a smouldering lump of used up carbon. [4]
The album opens up with a brief intro piece called “Lyra” and it’s a delicate sounding, sombre piano-led instrumental; based in Greek mythology it represents the Lyre Of Orpheus and is said to produce music so charming that it could affect inanimate objects, and conceptually here that works for this 30 second piece of music, but as we lead into first track proper “Feed The Wolf”, all of that charm goes out the window. We’re met with a thick wall of chugging riffs as Ben delivers his duel vocal onslaught; fleeting between deathly growls and harmonic melodies as he sings of fighting temptation, and giving into the urge of man’s animalistic nature and it’s emotive despite its lag. The albums lead single “Red Cold River” follows up next and really speaking we have more of the same…the combination of his smooth, clean vocals with his intimidating metal growls showcase Ben’s admittedly impressive range, but structurally the track is quite generic and honestly quite bland, despite the ferocity of that pre-chorus…
The album isn’t without it’s highlights however…”Blood” utilises solid groove and rhythm over some well delivered hooks that make up the chorus, using Ben’s growls sparingly and it’s a lot more effective here; it’s balanced incredibly well and allows the chorus to have that much more impact and intensity, and the track stands out all the more for it, while “The Dark Of You” takes a different approach altogether, opting for a chilling power-ballad of sorts, the change of tone no less emotive but it does provide an extra level of depth and variety…though that there is the albums primary flaw; variety…or, lack thereof. Yes, as I’ve previously stated Benjamin’s vocals ARE impressive as he’s able to sing and snarl with the best of them, but here the writing behind it is far too monotonous or two-dimensional. While there are peaks and troughs of specific talking points scattered throughout the 12 tracks on offer, the idea of repeat listens is more than a touch laborious, with the album as a whole coming off as disappointingly boring and repetitive in places. Ember is quite fitting as a title really, for on this evidence, the fire’s gone out and we’re left with just a smouldering lump of used up carbon. [4]
RSS Feed